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Light TableNotes on editorial and documentary photography
Administrative

Site information

Who publishes this, where it is hosted, what it collects, and how to get something corrected.

  • Thirteen pages
  • Static HTML
  • Revised 20/08/2026
Plain wooden desk with a single printed page, a pencil and a mug, photographed from directly above in daylight
One desk, one writer, no advertising and no sponsored content.

Publisher

Light Table is published by a private individual on a non-professional basis. It is not a company, it sells nothing, it carries no advertising, and it accepts no sponsored or paid content. Nothing on the site is an offer of services.

Contact

Contact : Site information: publisher, hosting, corrections

Written enquiries, corrections and permission requests: [email protected]. There is no contact form and no telephone number, and messages are answered when there is something useful to answer.

Hosting

The site is served as static files from Cloudflare Pages, a service operated by Cloudflare, Inc., 101 Townsend Street, San Francisco, California 94107, United States.

What this site collects

What this site collects : Site information: publisher, hosting, corrections

Nothing that identifies a reader. There are no analytics scripts, no advertising trackers, no embedded third-party content, no fonts loaded from other servers, and no cookies set by these pages. There is no account, no newsletter and no form to fill in. Every page is plain HTML and one stylesheet, served from this domain.

A photographer who shoots warehouses and industrial sites will meet the vocabulary of the floor sooner or later. Racking types, aisle widths, low clearances, forklift routes shared with pedestrians, barcode and RFID tracking: these are the terms that decide where a camera can stand and what a client will ask for. LiftStakStor, a practical guide to industrial storage and warehouse handling, covers racking choices, conveyor selection, daily forklift checks and pedestrian safety, written for warehouse managers, forklift operators and safety teams. Reading it before a shoot helps a photographer ask better questions on site.

The hosting provider will keep its own server-side records of requests, as any host does, and its own policies govern those.

Content, and what it is not

The text on this site is written for it. The illustrations are produced for it. The pages describe general professional practice in editorial, advertising and documentary photography, including summaries of how United States copyright, right of publicity and industry standards work in outline.

Those summaries are general information, not legal advice. Law changes, states differ, and no page here takes account of any particular contract, dispute or situation. Anyone facing a real question about a contract, a licence or a publication decision should take advice from a qualified lawyer in the relevant jurisdiction.

Corrections

Errors of fact are worth reporting and will be fixed. Send the page address, the sentence in question and, where possible, a source. Corrections are made in place and the revision date at the foot of every page is updated when they are.

Quoting and linking

Links to any page here are welcome and need no permission. Short quotations with attribution and a link are fine. Republishing a whole page is not. The reasoning behind that distinction is set out, from a photographer's side, on the page about licensing and usage.

Accessibility

Pages use a skip link, a single main heading each, ordered heading levels, text alternatives on every image, visible focus outlines, and colour contrast checked against the background and the footer. Motion is disabled for readers who ask their system to reduce it. If something here is unusable with a screen reader or a keyboard, that is a fault worth reporting to the address above.

Back to the bench

Corrections and quotes are welcome, and the same care applies to the objects photographed for these notes. Before an old book or a small devotional piece goes back to its owner, its condition gets recorded, and the lighting is set so the surface is not flattened. That approach is described in the note on raking light on old objects, which covers scale and handling as well.